Intaglio printmaker4/16/2023 ![]() “As a teacher, he’s extremely generous with his time and knowledge. ![]() “Todd Christensen is an incredibly innovative printmaker who breaks outside the boundaries of traditional prints,” Vaden said. Another goal is to inspire our students to experiment with their work,” Christensen said.Ĭerese Vaden is a fine arts professor at the University of Arizona who will present a studio printmaking demonstration for the conference and has work in the Print, Printing, Printed exhibit. “My goal with this conference is to involve a wide variety of printmakers from art professors to working artists and graduate art students because they each offer a unique perspective. 19 – 20 features studio printmaking talks and demonstrations from some of the artists exhibiting in the Print, Printing, Printed exhibit. The printmaking conference at Highlands Feb. This experience also helps the students market themselves for jobs at art museums and galleries,” Christensen said. “Giving our students an opportunity to hang exhibits is important because they need to know how to hang their own artwork and also curate exhibits for other artists. Students in his exhibit design class this semester are helping hang both printmaking exhibits. “They provide a great opportunity to see the work of established regional and New Mexico printmakers as well as talented newcomers.”Ĭhristensen established the first Print, Printed, Printing exhibit and conference at Highlands in 2010 and organizes the biennial event. “These exhibits include a huge variety of different printmaking techniques, like lithography, woodcut, intaglio, silk screen, monotype and more,” Christensen said. Highlands University fine arts professor and printmaker Todd Christensen curated both exhibits. Opening receptions for both art exhibits are Feb. through March 17 while New Mexico Printmakers is in the Kennedy Gallery at 905 University Ave. Print, Printed, Printing is in the Burris Hall Gallery at 903 National Ave. 15 offer a large variety of techniques from regional and New Mexico printmakers. – Two original fine art print exhibits opening at Highlands University Feb. Steinhoff’s etching aquatint titled Santa Fe River III is part of the New Mexico Printmakers art exhibit at Highlands through March 20. He has taught drawing and painting at The Ontario College of Art and Max the Mutt Animation School in Toronto and currently teaches courses in drawing and introductory design in North Island College’s Metal Jewellery Design Program in Campbell River. He is a painter, award winning watercolourist, delineator, traditional printmaker and psychotopographer of form. In 1991 he participated in Open Waters, a group show of the Canadian Society of Painters in Watercolour, The Royal Watercolour Society, and The American Watercolour Society that travelled to Toronto, New York, and London. He also worked for 30 years as a layout artist, background artist and art director in animated film, advertising and television for companies including Nelvana and Disney. He has been exhibiting regularly since in public and commercial galleries. As well as learning a technique for the production of interesting visual art, the workshop should serve to increase your awareness of printmaking as a unique art form in the past, and the present, both locally, nationally and internationally.Ĭlive Powsey graduated from The Ontario College of Art in 1980. All of your successful images will be original printed art suitable for framing. ![]() Over the course of the workshop you should be able to produce a small edition (of 3 to 5 images) or two, either consistent or variable, of drypoint prints, as well as several chine colle collages, including drypoints embellished with chine colle. The plate is then run through the press and a line drawing with a unique aesthetic is produced. Unlike relief printing, which prints the raised part of a plate, intaglio plates are inked deep into the inscribed lines and most of the ink is wiped off the plate with the exception of the tenacious ink deep within the lines. (If you don’t have a collection of drawings to choose from, we will have some images on hand.) You will be able to lay a 4 x 6 inch plexiglass plate onto your drawings, and pick one (or two if you also use the back) of your drawings to arrange within the 4 x 6 inch plexi plate and scribe the drawing onto the plate with a sharpened nail/scribe. You should arrive with various line drawings in your sketchbooks these can include hatching and cross hatching to produce areas of tone. In this workshop you will experiment with composing imagery using the intaglio printing technique known as drypoint, as well as collaging colour and texture from newspapers into drypoints and onto plates and running them through the press to create integrated seamless images.
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